"We love nature filmmaking, and we are specialist in shooting on wild ground. From concept developing to shooting high-end complex camera systems our expertise will take you to remote areas and show you a world never seen before."
To see the world with different eyes
Florian Schulz Productions develops and produces high-end nature films. We aim to transport our audience into the heart of the wild — where bears hunt, eagles soar, and Mother Nature abounds. Achieving this isn’t always easy: sometimes it means we come eye-to-eye with big brown bears, spend days cooped up in a camouflage tent watching carefully and waiting for a rare bird, or dive beneath the ocean waves to encounter the mysteries beneath. The results are stunning.
Our footage is shot with the latest 8k RED cameras, complimented with the Phantom Flex or Veo when ultra slow motion is needed. We use four gimbal systems: the ShotOver F1, M1, GSSMINI 512EX and Cineflex ULTRA. They can be equipped with the longest-range telephoto lenses available in cinema, and can be attached to helicopters, cars or boats, delivering breathtaking shake-free film sequences of wildlife action. Often, nature moves too quickly for the human eye to descry — but with our Phantom Flex 4K and VEO 4K we can capture every detail of super high-speed action sequences.
The world we capture does justice to the incredible beauty of nature, and is meant to reflect the award winning photographic style and vision of Florian Schulz.
Camera Operator for hire
Fun toys we work with
Aerial Filming - Shotover, GSS or Cineflex
GSS CINEMA MINI 512EX - Gen 2 Extremely lightweight (only 18,5 kg / 41 lbs) gyro-stabilized platform for RED Cameras such as V-RAPTOR, MONSTRO or HELIUM with multiple lens options. VectorSteering™ offers 6-axes of movement in a 5-axis gimbal with stabilized look down (no gimbal lock). The Cinema Mini 512EX is well-suited for a variety of applications including aerial, auto, marine mounted, and more.
SHOTOVER F1 6-Axis gyro-stabilized platform for RED V-Raptor, Monstro & Helium 8K and Phantom Flex and Phantom Veo, multiple lens options. Similarly to our Cineflex, the ShotOver provides us unparalleled stability while filming from a moving vehicle. It is just as smooth, and a little lighter weight than the Cineflex, and offers an extra axis for filming. It also accommodates to a wide variety of cameras and lenses, making it even more adaptable as a cinema tool.
SHOTOVER M1 Extremely lightweight (only 18,9 kg / 41.6lbs) 6-axis gyro-stabilized platform and also accommodates a wide variety of cameras and lenses like RED Monstro, Helium 8K, Phantom Flex and Phantom Veo. Just like it's big brother the F1.
CINEFLEX ULTRA 5-axis gyro-stabilized platform for RED Helium 8K Camera, multiple lens options With the Cineflex ULTRA we have one of the best camera stabilization systems in the world at our fingertips. Its high-resolution recordings make smooth 8k resolution shots totally achievable. But beyond quality, it offers us versatility: the Cineflex can be attached to aircraft, boats and even cable cars or rail systems.
RED V-Raptor, Helium & Monstro | 8K Cameras
From HD to 8k — when it comes to resolution, anything is possible with the RED V-Raptor, Monstro or Helium cameras.
Phantom Flex and Veo 4K | High Speed-Cameras
Making the invisible, imperceptible details of nature crisp, clear and striking is the job of our Phantom flex and Veo camera. Both can capture images at 1000 frames-per-second at 4k resolution, and up to 2000 frames-per-second at 2k resolution. So whether it is single wingbeats of a hummingbird or the impact of a water droplet, we can film it in impossibly high-resolution slow-motion detail.